Selected press: reviews, profiles, and commentary.
“Tunnel Radio” 
Ed Pinsent,
The Sound Projector,
November 11, 2015
“Christopher DeLaurenti – To the Cooling Tower, Satsop”
Brian Olewnick,
Just outside,
June 23, 2015
“Interview with the Seattle Phonographers Union” and “A grammar of space”
Tobias Fischer,
Tokafi,
July 1 and 16, 2014
“DeLaurenti Exhibit: An Exciting
Sensory Overload”
Emily Douglas,
The Virginia Informer,
January 28, 2013
“Tuesday 11th October”
Richard Pinnell,
The Wandering Ear,
October 11, 2011
“Sound of tha Police”
Jean-Xavier Boucherat,
Glasgow University Guardian,
November 16, 2010, p. 24
“Seattle Phonographers Union”
Peter Monaghan, Earshot Jazz, December 2009,
pp. 12-13
“Tombino Blues:
Christopher DeLaurenti non compone vede poesia…”
Luca Liguoro, Ventiquattro, Fall, 2008,
pp. 90-91, 93-94
“An Original Thinker Puts a Fresh Spin on Experiencing Sounds and Music”
R.M. Campbell, Seattle Post-Intelligencer, January 4, 2008, “What’s Happening” section, p. 30
“Concert Hall Sounds Themselves Become Music”
Gavin Borchert, Seattle Weekly, January 2, 2008, p. 25
“Music: Best of 2007”
Damon Krukowski, Artforum, December 2007, p. 81
“Favorite Intermissions”
IAN, Gramophone China, September 2007, p. 100
“The Concerts Found Onstage While Everyone Else Takes a Break ”
Daniel J. Wakin, The New York Times, May 30, 2007, pp. B-1, B-7
“Player Profile: Christopher DeLaurenti”
Jimmy Bennington, Northwest Jazz Profile, May 2007, pp. 17-18
“Peniel”
Keith Eisenbrey, Open Space, issue 8/9 Fall 2006/Spring 2007, pp. 116-123
“N30/The night I met Maria C_____/ 57 Minutes to Silence”
Dan Warburton, ParisTransatlantic, December 2003 and Signal to Noise, Winter 2004, p. 55
“N30: Live at the World Trade Organization Protest November 30, 1999”
François Couture, All Music Guide, November 2003
“Cop Talk”
Gavin Borchert, Seattle Weekly, November 27, 2002,
p. 79
“Christopher De Laurenti”
John Gibson, grooves, number 6 Spring 2001, p. 14
“N30: Live at the WTO Protest”
Ben Watson, The Wire, January 2001, p. 60